Living Sea Images
Underwater, Nature, and Travel Photography by Marc Shargel
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Marc Shargel's photographic file contains images collected from around the
world and under its oceans during the last 25 years, and he's adding new images
regularly. Here's a listing of most subjects and locations represented. If you don't see what you're looking for in this list, try a custom search.
Marine Life Subjects |
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Abalone |
Eels |
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Seamounts |
Underwater Photography Locations |
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| Big Sur Calif. Channel Islands California Coast |
Caribbean Carmel, Calif. Cozumel Isl., Mexico |
Farallon Islands Galapagos Archiepelago Guadalupe Island, Mexico Hawaii |
Red Sea St. Lucia Soccoro / San Benedicto (Revillagigedos Archiepelago) |
Travel, Scenic and Nature Photography Subjects |
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| Caves Divers The David Elephant Seals Famous Artworks Flowers Giant Tortoises |
Harbor Seals Iguanas Insects Landscapes Lava Mountains |
The Parthenon Penguins Pyramids Rainforests Redwood forests Scenic Views |
Sea Otters Sea Lions Sphinx Temples Wildlife |
Travel, Scenic and Nature Photography Locations |
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| Big Sur Channel Islands, Calif. California Coast Caribbean China Cozumel |
Ecuador Egypt Elephant Seals Farallon Islands Florence Galapagos Islands Greece |
Hong Kong Italy Mono Lake New Mexico San Francisco Sedona, Arizona High Sierra, California |
Soccoro (Revillagigedos Archipelago) Thailand Tibet Yosemite |
Do you miss our old gallery? Know just where to find what you're looking for through the old entrance? Don't worry, it's still here.
All Categories
Marc Shargel's photographic file contains images collected from around the
world and under its oceans during the last 25 years, and he's adding new images
regularly. Here's a listing of most subjects and locations represented. If you don't see what you're looking for in this list, try a custom search.
|
Marine Life Subjects |
|||
| Abalone Algae Anchovies Anemones Angelfish Barnacles Barracuda Black Sea Bass Blue Sharks Bryozoa Caves Chitons Coral Cowries Crinoids Divers |
Eels |
Molas (Sunfish) Moray Eels Nudibranchs Octopus Parrotfish Penguins Pompano Reef Fish Reefs Rockfish Salps Scallops Sea Cucumbers Sea Grasses Sea Stars Sea Turtles |
Seamounts |
|
Underwater Photography Locations |
|||
| Big Sur Calif. Channel Islands California Coast |
Caribbean Carmel, Calif. Cozumel Isl., Mexico |
Farallon Islands Galapagos Archiepelago Guadalupe Island, Mexico Hawaii |
Red Sea St. Lucia Soccoro / San Benedicto (Revillagigedos Archiepelago) |
|
Travel, Scenic and Nature Photography Subjects |
|||
| Caves Divers The David Elephant Seals Famous Artworks Flowers Giant Tortoises |
Harbor Seals Iguanas Insects Landscapes Lava Mountains |
The Parthenon Penguins Pyramids Rainforests Redwood forests Scenic Views |
Sea Otters Sea Lions Sphinx Temples Wildlife |
|
Travel, Scenic and Nature Photography Locations |
|||
| Big Sur Channel Islands, Calif. California Coast Caribbean China Cozumel |
Ecuador Egypt Elephant Seals Farallon Islands Florence Galapagos Islands Greece |
Hong Kong Italy Mono Lake New Mexico San Francisco Sedona, Arizona High Sierra, California |
Soccoro (Revillagigedos Archipelago) Thailand Tibet Yosemite |
| Our Digitally Manipulated Images are not “photographs.” Every
photograph reflects, to some extent, the vision of the photographer. That
said, most of us expect that when we look at a photo we are seeing a certain
view of reality. Lumigenic Media’s Digitally Manipulated Images look like photos,
but they display a reality that existed only in the artist’s imagination.
Because we believe the integrity of photographic images is important, we will never
present an image that has been digitally recomposed as a "photograph." We
create our digital montages images to entertain, to amuse, even to startle, but not
to deceive. We likewise encourage (and insist when possible) that all those
who reproduce our Digitally Manipulated Images fully inform the viewing audience about
the origin of what they are seeing. We do adjust our photographs for best presentation. Every photographer since the imaging pioneers of the last century has had to make artistic choices about how they wanted their images to look. Decisions in the field or the darkroom (such as composition, exposure, lighting, cropping, contrast, and dodging or burning) have always affected the rendering of reality offered by the resulting photograph. |
"Photographs" we display on the web, or supply to buyers in
file form, have usually been adjusted using the digital equivalent of these
traditional darkroom processes. Indeed, our first challenge is to make the image file produced by the scanner look like the film that was scanned. Of course this is a highly subjective art (e.g. How much sharpening makes the file look as crisp as the original?) Beyond this, we frequently adjust contrast, and sometimes digitally burn or dodge a light or dark area to make a more pleasing image. We always try to retouch out any dust or dirt that was on the slide when it was scanned (a rare but annoying problem). Occasionally we will spot retouch spurious contents of the image, such as backscatter, to remove visual distractions. Our rule in this process is not to change the view of reality offered by the photograph, but to clarify and perhaps enhance it. Manipulations that help resolve an image from life are, in our opinion, part of the photographer’s art in making a photograph. Manipulations that result in an image that never occurred in life produce something that, in our opinion, should not be called a photograph. We call those products of our craft Digitally Manipulated Images. |
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March 6, 1997.
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